{"id":47,"date":"2011-01-06T11:36:27","date_gmt":"2011-01-06T16:36:27","guid":{"rendered":"http:\/\/windycitypulpandpaper.com\/home\/?page_id=47"},"modified":"2026-02-27T12:12:02","modified_gmt":"2026-02-27T16:12:02","slug":"saturday-night-event-auction","status":"publish","type":"page","link":"https:\/\/www.windycitypulpandpaper.com\/home\/?page_id=47","title":{"rendered":"Saturday Night Event Auction"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>The convention has not graded these items (although we have tried to note missing covers [nfc = no front cover &amp; nbc = no back cover]) and encourages all bidders to review their condition before placing bids, as ALL SALES ARE FINAL.<\/p>\n\n\n\n<p>There will be a buyer\u2019s premium of 10% added to the amount of each winning bid for items in this catalog.\u00a0 We can take payment by cash, check, credit card or paypal, but credit card and paypal will have a 5% surcharge.\u00a0 Some lots may have reserves.\u00a0 We reserve the right to withdraw any lot from sale at any time prior to its being auctioned.\u00a0 <a href=\"https:\/\/www.windycitypulpandpaper.com\/home\/?page_id=8205\" data-type=\"page\" data-id=\"8205\">CLICK HERE<\/a> to see the auction images. There is a form every 50 or so lots to allow you to place a silent bid. Additional auction rules are available separately.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><strong>SILENT BIDDING<\/strong><\/h2>\n\n\n\n<p class=\"has-text-align-center\"><strong>SEE THE BOTTOM OF THE PAGE FOR SILENT BID RULES AND REGULATIONS<\/strong><\/p>\n\n\n\n<p><strong>We will also be taking silent bids for those who are unable to attend. All bids must be in at least $10 increments in whole dollars from the next higher bid. Please be advised that these bids are your actual bids and not your &#8220;MAX BIDS.&#8221; So if you bid $3000 for a lot, your bid is $3000 and not something we bid up to for you. These silent bids are where we start the live auction for that lot. If no other bid is higher, then the silent bidder wins that lot<\/strong>.<strong> For more information, please see the bottom of the page.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\">To register for silent bidding use the following form:<\/p>\n\n\n\n        <script type=\"text\/javascript\">\n         function cp_contactformtoemail_pform_doValidate_1(form)\n         {\n            document.cp_contactformtoemail_pform_1.cp_ref_page.value = document.location;\n            $dexQuery = jQuery.noConflict();            {\n                var cpefb_error = 0;\n                $dexQuery(\"#cp_contactformtoemail_pform_1\").find(\".cpefb_error\").each(function(index){\n                    if ($dexQuery(this).css(\"display\")!=\"none\")\n                        cpefb_error++;\n                    });\n                if (cpefb_error) return false;\n                if (document.cp_contactformtoemail_pform_1.cp_contactformtoemail_pform_status.value != '0')\n                           return false;\n                document.getElementById(\"refpage_1\").value = document.location;\n                cfte_blink(\".pbSubmit\");\n                document.cp_contactformtoemail_pform_1.cp_contactformtoemail_pform_status.value = '2';document.cp_contactformtoemail_pform_1.cp_contactformtoemail_pform_status.value = '1';\n                       $dexQuery.ajax({\n                         type: \"POST\",\n                         url: '',\n                         data: $dexQuery(\"#cp_contactformtoemail_pform_1\").serialize(),\n                         success: function(data)\n                         {\n                             document.cp_contactformtoemail_pform_1.cp_contactformtoemail_pform_status.value = '0';\n                                                              $dexQuery(\"#cftedialog\").dialog({\n                                   buttons: {\n                                     Ok: function() {\n                                       $dexQuery( this ).dialog( \"close\" );\n                                       document.cp_contactformtoemail_pform_1.reset();\n                                     }\n                                   }\n                                 });\n                                 $dexQuery(\".ui-dialog-titlebar\").hide();\n                                                        }\n                       });\n                       return false;\n                                }\n         }\n         function cfte_blink(selector){\n                 try {\n                     $dexQuery = jQuery.noConflict();\n                     $dexQuery(selector).fadeOut(700, function(){\n                         $dexQuery(this).fadeIn(700, function(){\n                             try {\n                                 if (document.cp_contactformtoemail_pform_1.cp_contactformtoemail_pform_status.value != '0')\n                                     cfte_blink(this);\n                             } catch (e) {}\n                         });\n                     });\n                 } catch (e) {}\n         }\n         function cp_contactformtoemail_cerror_1(){$dexQuery = jQuery.noConflict();$dexQuery(\"#hdcaptcha_error_1\").css('top',$dexQuery(\"#hdcaptcha_cp_contactformtoemail_post_1\").outerHeight());$dexQuery(\"#hdcaptcha_error_1\").css(\"display\",\"inline\");}\n        <\/script>\n        <div id=\"cftedialog\" style=\"display:none;\">You have submitted your name for registration for the auction.<\/div>\n        <form class=\"cpp_form no-prefetch\" name=\"cp_contactformtoemail_pform_1\" id=\"cp_contactformtoemail_pform_1\" action=\"\/home\/?ahbnocache=116262\" method=\"post\" enctype=\"multipart\/form-data\" onsubmit=\"return cp_contactformtoemail_pform_doValidate_1(this);\"><input type=\"hidden\" name=\"cp_pform_psequence\" value=\"_1\" \/><input type=\"hidden\" name=\"cp_contactformtoemail_pform_process\" value=\"1\" \/><input type=\"hidden\" name=\"cp_contactformtoemail_id\" value=\"2\" \/><input type=\"hidden\" name=\"cp_ref_page\" value=\"\" \/><input type=\"hidden\" name=\"form_structure_1\" id=\"form_structure_1\" size=\"180\" value=\"[[{&quot;name&quot;:&quot;email&quot;,&quot;index&quot;:0,&quot;title&quot;:&quot;Email&quot;,&quot;ftype&quot;:&quot;femail&quot;,&quot;userhelp&quot;:&quot;&quot;,&quot;csslayout&quot;:&quot;&quot;,&quot;required&quot;:true,&quot;predefined&quot;:&quot;&quot;,&quot;size&quot;:&quot;medium&quot;,&quot;shortlabel&quot;:&quot;&quot;,&quot;userhelpTooltip&quot;:&quot;&quot;,&quot;predefinedClick&quot;:false,&quot;equalTo&quot;:&quot;&quot;},{&quot;name&quot;:&quot;subject&quot;,&quot;index&quot;:1,&quot;title&quot;:&quot;Your Full Name&quot;,&quot;required&quot;:true,&quot;ftype&quot;:&quot;ftext&quot;,&quot;userhelp&quot;:&quot;&quot;,&quot;csslayout&quot;:&quot;&quot;,&quot;predefined&quot;:&quot;&quot;,&quot;size&quot;:&quot;large&quot;,&quot;shortlabel&quot;:&quot;&quot;,&quot;userhelpTooltip&quot;:&quot;&quot;,&quot;predefinedClick&quot;:false,&quot;minlength&quot;:&quot;&quot;,&quot;maxlength&quot;:&quot;&quot;,&quot;equalTo&quot;:&quot;&quot;},{&quot;name&quot;:&quot;message&quot;,&quot;index&quot;:2,&quot;size&quot;:&quot;large&quot;,&quot;required&quot;:true,&quot;title&quot;:&quot;Billing Address and include Mailing Address if different from Billing&quot;,&quot;ftype&quot;:&quot;ftextarea&quot;,&quot;userhelp&quot;:&quot;&quot;,&quot;csslayout&quot;:&quot;&quot;,&quot;predefined&quot;:&quot;&quot;,&quot;shortlabel&quot;:&quot;&quot;,&quot;userhelpTooltip&quot;:&quot;&quot;,&quot;predefinedClick&quot;:false,&quot;minlength&quot;:&quot;&quot;,&quot;maxlength&quot;:&quot;&quot;}],[{&quot;title&quot;:&quot;Silent Pre-Auction Registration&quot;,&quot;description&quot;:&quot;If you are unable to make it to the convention. You must register to bid.&quot;,&quot;formlayout&quot;:&quot;top_aligned&quot;}]]\" \/><input type=\"hidden\" name=\"refpage_1\" id=\"refpage_1\" value=\"\"><input type=\"hidden\" name=\"cp_contactformtoemail_pform_status\" value=\"0\" \/><input name=\"anonce\" type=\"hidden\" value=\"6bbcba5772\"\/><input name=\"cftehp\" id=\"cftehp_1\" type=\"hidden\" value=\"1\"\/>\r\n<div id=\"fbuilder\">    \r\n    <div id=\"fbuilder_1\">\r\n        <div id=\"formheader_1\"><\/div>\r\n        <div id=\"fieldlist_1\"><\/div>\r\n    <\/div>\r\n<\/div>    \r\n<div style=\"display:none\">\r\n<input name=\"cftecontrolmessage\" type=\"text\" value=\"\"\/> \r\n<div id=\"cpcaptchalayer_1\" class=\"cpcaptchalayer\">\r\n<\/div>\r\n<\/div>\r\n<div id=\"cp_subbtn_1\" class=\"cp_subbtn\">Submit<\/div>\r\n<\/form>\r\n<script>\r\ntry{document.getElementById(\"cftehp_1\").value=\"25\";}catch(e){}\r\n<\/script>\r\n\n\n\n\n<p><strong>SATURDAY SESSION INFORMATION<\/strong><\/p>\n\n\n\n<p>Saturday\u2019s material will be available for inspection Saturday afternoon for several hours in Magnolia B &amp; C.<\/p>\n\n\n\n<p><strong>SATURDAY SESSION<\/strong><\/p>\n\n\n\n<p>1.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 2\/33 (Leinster) &amp; 3\/33 (Williamson, Campbell 1\/2)<\/p>\n\n\n\n<p>2.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 12\/32 &amp; 1\/33<\/p>\n\n\n\n<p>3.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 10\/32 (Hamilton, Binder) &amp; 11\/32<\/p>\n\n\n\n<p>4.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Spring-Summer 1933 &amp; Winter 1933<\/p>\n\n\n\n<p>5.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Spring-Summer 1932 (Campbell) &amp; Fall-Winter 1932<\/p>\n\n\n\n<p>6.&nbsp;<strong>WONDER STORIES<\/strong>&nbsp;\u2013 6\/30 (Ray Palmer) &amp; 7\/30<\/p>\n\n\n\n<p>7.&nbsp;<strong>WEIRD TALES<\/strong>&nbsp;\u2013 10\/25 &#8211; Quinn, Price, Owen<\/p>\n\n\n\n<p>8.&nbsp;<strong>WEIRD TALES<\/strong>&nbsp;\u2013 12\/36 \u2013 HPL (\u201cThe Haunter of the Dark\u201d), REH (\u201cThe Fire of Asshubanipal\u201d), Kline, Price, Derleth, Kuttner, Wellman<\/p>\n\n\n\n<p>9.&nbsp;<strong>WEIRD TALES<\/strong>&nbsp;\u2013 C.A. Smith, Moore, Hamilton, Price, classic Brundage skull cover; spine faded<\/p>\n\n\n\n<p>10.&nbsp;<strong>THE SHADOW<\/strong>&nbsp;\u2013 7\/32 (\u201cThe Crime Cult\u201d), 12\/1\/32 (\u201cThe Romanoff Jewels\u201d) &amp; 12\/15\/32 (\u201cKings of Crime\u201d)<\/p>\n\n\n\n<p>11.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 8\/32 (Campbell) &amp; 9\/32 (Williamson)<\/p>\n\n\n\n<p>12.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 6\/32 (Leinster) &amp; 7\/32<\/p>\n\n\n\n<p>13.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 4\/32 &amp; 5\/32<\/p>\n\n\n\n<p>14.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Summer 1930 (Campbell) &amp; Winer 1932 (Jacobi)<\/p>\n\n\n\n<p>15.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Spring 1931 (Campbell)<\/p>\n\n\n\n<p>16.&nbsp;<strong>WONDER STORIES<\/strong>&nbsp;\u2013 11\/31 (C.A. Smith) &amp; 12\/31 (Hamilton)<\/p>\n\n\n\n<p>17.&nbsp;<strong>CAPTAIN FUTURE<\/strong>&nbsp;\u2013 Summer 1940 (Hamilton) &amp; Summer 1941 (Hamilton, Binder)<\/p>\n\n\n\n<p>18.&nbsp;<strong>CAPTAIN FUTURE<\/strong>&nbsp;\u2013 Fall 1941 (Hamilton, Long) &amp; Winter 1943 (Hamilton)<\/p>\n\n\n\n<p>19.&nbsp;<strong>THE MYSTERIOUS WU FANG<\/strong>&nbsp;\u2013 1\/36<\/p>\n\n\n\n<p>20.&nbsp;<strong>THE MYSTERIOUS WU FANG<\/strong>&nbsp;\u2013 2\/36<\/p>\n\n\n\n<p>21.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 2\/32 (Leinster) &amp; 3\/32 (Farley)<\/p>\n\n\n\n<p>22.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 12\/31 (front cover split along lower 1\/2 of spine) &amp; 1\/32 (Tanner, \u201cTumithak of the Corridors\u201d \u2013 this was one of my favorite stories as a young teenager when I encountered it in Isaac Asimov\u2019s anthology of early SF, \u201cBefore the Golden Age\u201d)<\/p>\n\n\n\n<p>23.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 10\/31 (Willimson 1\/2), 11\/31 (Williamson 2\/2)<\/p>\n\n\n\n<p>24.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 8\/31 (Doc Smith. \u201cSpacehounds of IPC\u201d 2\/3 &amp; Meek, \u201cSubmicroscopic\u201d) &amp; 9\/31 (Smith, \u201cSpacehounds of IPC 3\/3 &amp; Meek, \u201cAwlo of Ulm\u201d). The second Meek story is a sequel to the first, both of which are takeoffs on the \u201cGirl in the Golden Atom\u201d theme. These were also two of my favorite stories as a young teenager when I encountered them in Isaac Asimov\u2019s anthology of early SF, \u201cBefore the Golden Age\u201d)<\/p>\n\n\n\n<p>25.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Winter 1931 (Williamson)<\/p>\n\n\n\n<p>26.&nbsp;<strong>WONDER STORIES<\/strong>&nbsp;\u2013 1\/32 (Campbell) &amp; 4\/32 (Campbell)<\/p>\n\n\n\n<p>27.&nbsp;<strong>SCIENCE WONDER STORIES<\/strong>&nbsp;\u2013 1\/30<\/p>\n\n\n\n<p>28.&nbsp;<strong>CAPTAIN HAZZARD<\/strong>&nbsp;\u2013 5\/38; only issue; Saunders cover<\/p>\n\n\n\n<p>29.&nbsp;<strong>DOC SAVAGE<\/strong>&nbsp;\u2013 6\/37 \u2013 \u201cLand of Fear\u201d, skeleton cover<\/p>\n\n\n\n<p>30.&nbsp;<strong>THE SPIDER<\/strong>&nbsp;\u2013 6\/34 \u2013 \u201cSatan\u2019s Death Blast\u201d<\/p>\n\n\n\n<p>31.&nbsp;<strong>SPICY MYSTERY STORIES<\/strong>&nbsp;\u2013 1\/36 (Price, Cave, Bellem, missing table of contents)<\/p>\n\n\n\n<p>32.&nbsp;<strong>THE PHANTOM DETECTIVE<\/strong>&nbsp;\u2013 8\/40 (2\u201d x 3\u201d piece off back cover; 1\u201d x 4\u201d piece off table of contents which does not affect text)<\/p>\n\n\n\n<p>33.&nbsp;<strong>MYSTERY STORIES (U.K.)<\/strong>&nbsp;\u2013 5\/51 &#8211; MacDonald<\/p>\n\n\n\n<p>34.&nbsp;<strong>REAL DETECTIVE<\/strong>&nbsp;\u2013 5\/38<\/p>\n\n\n\n<p>35.&nbsp;<strong>REAL SCREEN FUN<\/strong>&nbsp;\u2013 4\/38<\/p>\n\n\n\n<p>36.&nbsp;<strong>JAMES HADLEY CHASE, \u201cTHE VILLAIN AND THE VIRGIN\u201d<\/strong>&nbsp;(Avon, 1948)<\/p>\n\n\n\n<p>37.&nbsp;<strong>BREEZY STORIES<\/strong>&nbsp;\u2013 6\/44 (classic Bolles cover)<\/p>\n\n\n\n<p>38.&nbsp;<strong>CRACK DETECTIVE STORIES<\/strong>&nbsp;\u2013 2\/48 (Powell, skull cover)<\/p>\n\n\n\n<p>39.&nbsp;<strong>BLACK BOOK DETECTIVE<\/strong>&nbsp;\u2013 Fall 1944<\/p>\n\n\n\n<p>40.&nbsp;<strong>DAN TURNER \u2013 HOLLYWOOD DETECTIVE<\/strong>&nbsp;\u2013 10\/42 (Bellem)<\/p>\n\n\n\n<p>41.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 5\/31 &amp; 6\/31 (Leinster, Ernst)<\/p>\n\n\n\n<p>42.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 3\/31 (Kline) &amp; 4\/31 (Ernst)<\/p>\n\n\n\n<p>43.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 1\/31 (Williamson) &amp; 2\/31<\/p>\n\n\n\n<p>44.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Fall 1929 (Hamilton)<\/p>\n\n\n\n<p>45.&nbsp;<strong>WONDER STORIES<\/strong>&nbsp;\u2013 12\/32 (Campbell, inside cover reinforced by masking tape) &amp; 1\/33<\/p>\n\n\n\n<p>46.&nbsp;<strong>SCIENCE WONDER STORIES<\/strong>&nbsp;\u2013 9\/29<\/p>\n\n\n\n<p>47.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Winter 1930<\/p>\n\n\n\n<p>48.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Winter 1928 (v1n1)<\/p>\n\n\n\n<p>49.&nbsp;<strong>THE MYSTERIOUS WU FANG<\/strong>&nbsp;\u2013 10\/35 (Gruber)<\/p>\n\n\n\n<p>50.&nbsp;<strong>THE MYSTERIOUS WU FANG<\/strong>&nbsp;\u2013 11\/35<\/p>\n\n\n\n<p>51.&nbsp;<strong>MARVEL SCIENCE STORIES<\/strong>&nbsp;\u2013 2\/51 (small pieces off back cover) &amp; 11\/51 (Fox, Van Vogt)<\/p>\n\n\n\n<p>52.&nbsp;<strong>VARGO STATTEN SCIENCE FICTION MAGAZINE<\/strong>&nbsp;&#8211; #1 (1\/54) &amp; #2 (2\/54)<\/p>\n\n\n\n<p>53.&nbsp;<strong>\u201cWHEN WORLDS COLLIDE\u201d by Edwin Balmer &amp; Philip Wylie<\/strong>&nbsp;(A.L. Burt Company, 1933)<\/p>\n\n\n\n<p>54.&nbsp;<strong>FRANK FRAZETTA binder of comic covers<\/strong>&nbsp;\u2013 this is a three-ring binder containing 34 comic book covers (all featuring Frazetta art) that were cut off of the comic books themselves. Sacrilege, but there you have it! The highlights are<strong>\u201cFamous Funnies\u201d #209 (featuring Buck Rogers)<\/strong>, \u201cStraight Arrow\u201d #3 and \u201cStraight Arrow\u201d #22\u2014these three covers were not cut off, but instead apparently the staples for these three issues were removed and these covers were detached, so these three covers contain both front and back covers as a unit, with just staple holes where they were removed. Other titles include \u201cBobby Benson\u2019s B-Bar-B Riders\u201d, \u201cBuster Crabbe\u201d, \u201cThe Ghost Rider\u201d, \u201cBlazing Combat\u201d, \u201cCreepy\u201d, \u201cEerie\u201d, \u201cVampirella\u201d, \u201cSpa Fon\u201d and \u201cNational Lampoon\u201d (including the spoof, \u201cDracula, Queen of Darkness!\u201d).<\/p>\n\n\n\n<p>55.&nbsp;<strong>ROBERT E. HOWARD, \u201cCONAN THE BARBARIAN\u201d<\/strong>&nbsp;(Gnome Press, 1954, first edition)<\/p>\n\n\n\n<p>56.&nbsp;<strong>ROBERT E. HOWARD, \u201cTHE COMING OF CONAN\u201d<\/strong>&nbsp;(Gnome Press, 1953, first edition)<\/p>\n\n\n\n<p>57.&nbsp;<strong>ROBERT E. HOWARD, \u201cKING CONAN\u201d<\/strong>&nbsp;(Gnome Press, 1953, first edition)<\/p>\n\n\n\n<p>58.&nbsp;<strong>ROBERT E. HOWARD, \u201cTHE SWORD OF CONAN\u201d<\/strong>&nbsp;(Gnome Press, 1952, first edition)<\/p>\n\n\n\n<p>59.&nbsp;<strong>ROBERT E. HOWARD, \u201cSKULL-FACE AND OTHERS\u201d<\/strong>&nbsp;(Arkham House, 1946, first edition) \u2013 bookplate of W.K. Greene on front free endpaper; 2\u201d x 3\u201d piece off rear DJ; tape to head and foot of DJ at spine extending 1.5\u201d onto front and back.<\/p>\n\n\n\n<p>60.&nbsp;<strong>WILLIAM HOPE HODGSON, \u201cTHE HOUSE ON THE BORDERLAND AND OTHER NOVELS\u201d<\/strong>&nbsp;(Arkham House, 1946, first edition)<\/p>\n\n\n\n<p>61.&nbsp;<strong>SPICY-ADVENTURE STORIES<\/strong>&nbsp;\u2013 12\/35 (Bellem, back cover detached and reglued)<\/p>\n\n\n\n<p>62.&nbsp;<strong>G-MEN DETECTIVE<\/strong>&nbsp;-Winter 1950 (skull cover)<\/p>\n\n\n\n<p>63.&nbsp;<strong>DETECTIVE TALES<\/strong>&nbsp;\u2013 7\/40<\/p>\n\n\n\n<p>64.&nbsp;<strong>SPICY STORIES<\/strong>&nbsp;\u2013 3\/34 (Bergey cover)<\/p>\n\n\n\n<p>65.&nbsp;<strong>AMAZING DETECTIVE CASES<\/strong>&nbsp;\u2013 4.42 (Saunders cover; Edwin Baird article [former Weird Tales editor])<\/p>\n\n\n\n<p>66.&nbsp;<strong>REAL SCREEN FUN<\/strong>&nbsp;\u2013 2\/38<\/p>\n\n\n\n<p>67.&nbsp;<strong>JOE BARRY, \u201cHOMICIDE HOTEL\u201d<\/strong>&nbsp;(Phantom Books, 1951)<\/p>\n\n\n\n<p>68.&nbsp;<strong>WEIRD TALES<\/strong>&nbsp;\u2013 9\/35 (classic Brundage nude cover; Ernst \u2013 Doctor Satan story, C.A. Smith, Bloch, Hamilton)<\/p>\n\n\n\n<p>69.&nbsp;<strong>TEN DETECTIVE ACES<\/strong>&nbsp;\u2013 8\/37 \u2013 Saunders cover<\/p>\n\n\n\n<p>70.&nbsp;<strong>THRILLING DETECTIVE (Canadian edition)<\/strong>&nbsp;\u2013 12\/42<\/p>\n\n\n\n<p>71.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 11\/30 (Campbell, Williamson, back cover detached for lower 1\/2) &amp; 12\/30<\/p>\n\n\n\n<p>72.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 9\/30 (Doc Smith \u2013 \u201cSkylark Three\u201d 2\/3) &amp; 10\/30 \u2013 Doc Smith \u2013 Skylark Three\u201d 3\/3, Kline, Hamilton) \u2013 note \u2013 see Lot 125 for the first part of \u201cSkylark Three\u201d<\/p>\n\n\n\n<p>73.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 2\/28 (classic Paul cover) &amp; 9\/28 (Doc Smith \u2013 \u201cSkylark of Space\u201d 2\/3)<\/p>\n\n\n\n<p>74.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Summer 1939<\/p>\n\n\n\n<p>75.&nbsp;<strong>WONDER STORIES<\/strong>&nbsp;\u2013 2\/33 (classic Paul cover) &amp; 4\/33 (C.A. Smith, Binder)<\/p>\n\n\n\n<p>76.&nbsp;<strong>\u201cTALES OF MYSTERY &amp; IMAGINATION\u201d<\/strong>&nbsp;by Edgar Allan Poe (The Limited Editions Club, 1941) \u2013 in slipcase (which has wear on the open edges and partially split at the top). Number 1488 of 1500; signed by artist William Sharp. Also contains the solicitation note to subscribers laid in.<\/p>\n\n\n\n<p>77.&nbsp;<strong>THRILLING WONDER STORIES<\/strong>&nbsp;\u2013 five bound volumes, consisting of January 1940 through March 1941, with three issues per volume. These have the covers bound in, with bookplates for Ernest Elven Hadley on the front endpapers.<\/p>\n\n\n\n<p>78.&nbsp;<strong>\u201cHARVEY KURTZMAN: RETROSPECTIVE OF A MAD GENIUS\u201d<\/strong>&nbsp;(Cartoon Art Museum, San Francisco, 1995)<\/p>\n\n\n\n<p>79.&nbsp;<strong>COMPLETE RUN OF RUSS COCHRAN MAD AUCTION CATALOGS #s 1-16<\/strong>&nbsp;\u2013 these date from 10\/28\/86 to 4\/1\/92; many of them have prices realized written by hand inside.<\/p>\n\n\n\n<p>80.&nbsp;<strong>EC MAILING ENVELOPE<\/strong>&nbsp;\u2013 postmarked 1951. A rare piece of EC ephemera.<\/p>\n\n\n\n<p>81.&nbsp;<strong>MAD #1<\/strong>&nbsp;(10-11\/52) \u2013 CGC 3.0; ID 4584045003<\/p>\n\n\n\n<p>82.&nbsp;<strong>MAD #2<\/strong>&nbsp;(12\/52-1\/53) \u2013 CGC 2.5; ID 4584317005<\/p>\n\n\n\n<p>83.&nbsp;<strong>MAD #3<\/strong>&nbsp;(2-3\/53) \u2013 CGC 3.0; ID 4584317006<\/p>\n\n\n\n<p>84.&nbsp;<strong>MAD #4<\/strong>&nbsp;(4-5\/53) \u2013 CGC 4.0; ID 4584317007<\/p>\n\n\n\n<p>85.&nbsp;<strong>WEIRD SCIENCE FANTASY ANNUAL #2<\/strong>&nbsp;(1953) \u2013 CGC Apparent 4.5; ID 4584316003. Contains Weird Fantasy #16, Weird Fantasy #14, Weird Fantasy #19 &amp; Weird Science #16.<\/p>\n\n\n\n<p>86. \u201c<strong>CUJO<\/strong>\u201d Screenplay by Barbara Turner, based on the novel by Stephen King. Revised First Draft August 20, 1982. This begins at page 1 and ends on page 126, which is marked with \u201cThe End\u201d at the bottom.<\/p>\n\n\n\n<p>87.&nbsp;<strong>BLOCK OF 6 UNCUT AUGUST DERLETH SAC PRAIRIE SAGA STAMPS<\/strong>&nbsp;\u2013 Derleth apparently had these printed up circa 1939, and he would affix them to his correspondence, including that for Arkham House. A very rare piece of Derleth and Arkham House memorabilia.<\/p>\n\n\n\n<p>88.&nbsp;<strong>AUGUST DERLETH PERSONAL LETTERHEAD<\/strong>&nbsp;\u2013 an unused page of August Derleth\u2019s personal letterhead, with illustration by (I believe) Arkham House artist Frank Utpatel.<\/p>\n\n\n\n<p>89.&nbsp;<strong>ARKHAM HOUSE MAILING LABEL<\/strong>&nbsp;\u2013 unused; a rare piece of Arkham House memorabilia.<\/p>\n\n\n\n<p>90.&nbsp;<strong>SCOOPS<\/strong>&nbsp;\u2013 Scoops was the first UK SF magazine. This is a complete set of all 20 weekly issues, published from February to June 1934. A rare opportunity to acquire a complete set of this scarce SF magazine.<\/p>\n\n\n\n<p>91.&nbsp;<strong>TERROR TALES<\/strong>&nbsp;\u2013 11\/35 (Ernst)<\/p>\n\n\n\n<p>92.&nbsp;<strong>TERROR TALES<\/strong>&nbsp;\u2013 4\/36 (Cummings)<\/p>\n\n\n\n<p>93.&nbsp;<strong>TERROR TALES<\/strong>&nbsp;\u2013 6\/36 (Cummings, Ernst, cover split for top 1\/3 along spine)<\/p>\n\n\n\n<p>94.&nbsp;<strong>\u201cCHILDHOOD\u2019S END\u201d<\/strong>&nbsp;by Arthur C. Clarke (Sidgwick &amp; Jackson, 1954). First UK edition. Ink stain on rear of DJ.<\/p>\n\n\n\n<p>95.&nbsp;<strong>\u201cTHE MARTIAN CHRONICLES\u201d<\/strong>&nbsp;by Ray Bradbury (The Limited Editions Club, 1974). Number 90 of 2000. Signed by Bradbury and illustrator Joe Mugnaini.<\/p>\n\n\n\n<p>96.&nbsp;<strong>FAMOUS FUNNIES #209<\/strong>&nbsp;(12\/53) \u2013 CGC 4.5; ID 4584045002. Buck Rogers Frazetta cover.<\/p>\n\n\n\n<p>97.&nbsp;<strong>SHOCK SUSPENSTORIES #6<\/strong>&nbsp;(12\/52-1\/53) \u2013 CGC 4.0; ID 4584316009<\/p>\n\n\n\n<p>98.&nbsp;<strong>WEIRD SCIENCE FANTASY ANNUAL #1<\/strong>&nbsp;(1952) \u2013 CGC Apparent 7.5; ID 4584045007. Contains Weird Fantasy #12, Weird Fantasy #11, Weird Science #6 &amp; Weird Science #9<\/p>\n\n\n\n<p>98.1.&nbsp;<strong>TALES FROM THE CRYPT #27<\/strong>&nbsp;(12\/51-1\/52) \u2013 CGC 7.0; ID 4584318006<\/p>\n\n\n\n<p>99.&nbsp;<strong>CRIME SUSPENSTORIES #20<\/strong>&nbsp;(12\/53-1\/54) \u2013 CGC 4.0; ID 4584045004<\/p>\n\n\n\n<p>99.1.&nbsp;<strong>THE VAULT OF HORROR #35<\/strong>&nbsp;(2-3\/54) \u2013 CGC 6.0; ID 4584045005<\/p>\n\n\n\n<p>100.&nbsp;<strong>FRANKENSTEIN #1<\/strong>&nbsp;(Summer 1945) \u2013 CGC 6.5; ID 4584046001<\/p>\n\n\n\n<p>101.&nbsp;<strong>SPICY DETECTIVE STORIES<\/strong>&nbsp;\u2013 8\/34 (Bellem)<\/p>\n\n\n\n<p>102.&nbsp;<strong>DOUBLE-ACTION GANG<\/strong>&nbsp;\u2013 6\/38 (Price)<\/p>\n\n\n\n<p>103.&nbsp;<strong>DIME MYSTERY MAGAZINE<\/strong>&nbsp;\u2013 7\/38 (Ernst)<\/p>\n\n\n\n<p>104.&nbsp;<strong>FRENCH NIGHT LIFE STORIES<\/strong>&nbsp;\u2013 10\/36<\/p>\n\n\n\n<p>105.&nbsp;<strong>SATIRE<\/strong>&nbsp;\u2013 12\/35 (v1n1). \u201cSatire\u201d was a short-lived humor magazine which is considered a precursor to MAD and National Lampoon. It\u2019s quite scarce; a copy with both covers and all pages detached sold for at Heritage in 2024 for over $300. The copy here at auction is quite nice and satirizes detective magazines. For the second issue, see Lot 135.<\/p>\n\n\n\n<p>106.&nbsp;<strong>FILM FUN<\/strong>&nbsp;\u2013 12\/35 (Bolles cover, seemingly catering to the foot fetish crowd, which was rare for the time)<\/p>\n\n\n\n<p>107.&nbsp;<strong>ROLAND VANE, \u201cLADIES OF THE RED LAMP\u201d<\/strong>&nbsp;(U.S. edition of an Archer Book, published by Kaywin Publishers, Inc., 1951)<\/p>\n\n\n\n<p>108.&nbsp;<strong>THRILLING MYSTERY<\/strong>&nbsp;\u2013 2\/38 (classic skull cover; Kuttner, Cave; piece off front cover as shown, small piece off back cover, some water damage and stains)<\/p>\n\n\n\n<p>109.&nbsp;<strong>TERROR TALES<\/strong>&nbsp;\u2013 7-8\/39 (classic cover; Cummings)<\/p>\n\n\n\n<p>110.&nbsp;<strong>ALL STAR DETECTIVE STORIES<\/strong>&nbsp;\u2013 11\/30 (scarce title; masked villain cover; McCulley)<\/p>\n\n\n\n<p>111.&nbsp;<strong>HANNES BOK SIGNED CHECK<\/strong>&nbsp;\u2013 check signed by Bok dated 6\/30\/47 to \u201cCash\u201d for $30<\/p>\n\n\n\n<p>112.&nbsp;<strong>HANNES BOK SIGNED CHECK<\/strong>&nbsp;\u2013 check signed by Bok dated 12\/31\/42 to \u201cCash\u201d for $10<\/p>\n\n\n\n<p>113.&nbsp;<strong>TALBOT MUNDY SIGNED CHECK<\/strong>&nbsp;\u2013 this was issued by The Frank A. Munsey Company pulp chain on September 13, 1911, in the amount of $100.00, as payment for \u201cPayable to Bearer on Demand\u201d (The Cavalier, 12\/28\/12). Endorsed by Mundy on the back.<\/p>\n\n\n\n<p>114.&nbsp;<strong>H.P. LOVECRAFT original signature<\/strong>&nbsp;\u2013 HPL has also noted Providence, Rhode Island on this page which was apparently taken from a book in HPL\u2019s library.<\/p>\n\n\n\n<p>115.&nbsp;<strong>FANCIFUL TALES OF TIME AND SPACE<\/strong>&nbsp;\u2013 Fall 1936 (v1n1) \u2013 the only issue of this rare semi-professional SF and fantasy mag published by Don Wollheim &amp; Wilson Shepherd. Authors include HPL (\u201cThe Nameless City\u201d), REH (poem \u2013 \u201cSolomon Kane\u2019s Homecoming\u201d), Derleth &amp; Wollheim.<\/p>\n\n\n\n<p>116.&nbsp;<strong>THE FANTASY FAN<\/strong>&nbsp;\u2013 10\/34 \u2013 this issue of this important fanzine was devoted to HPL and contains Part 13 of HPL\u2019s \u201cSupernatural Horror in Literature,\u201d HPL\u2019s \u201cBeyond the Wall of Sleep\u201d and two of HPL\u2019s \u201cFungi from Yuggoth\u201d verses.<\/p>\n\n\n\n<p>117.&nbsp;<strong>HPL \u201cBEYOND THE WALL OF SLEEP\u201d ARKHAM HOUSE UNMAILED POSTCARD<\/strong>&nbsp;\u2013 this rare piece of AH ephemera promoted the impending publication of the HPL collection \u201cBeyond the Wall of Sleep\u201d<\/p>\n\n\n\n<p>118.&nbsp;<strong>TALES FROM THE CRYPT #26<\/strong>&nbsp;(10-11\/51) \u2013 CGC 6.0; ID 4584316018<\/p>\n\n\n\n<p>119.&nbsp;<strong>TALES FROM THE CRYPT #22<\/strong>&nbsp;(2-3\/51) \u2013 CGC 5.5; ID 4584316017<\/p>\n\n\n\n<p>120.&nbsp;<strong>CRIME SUSPENSTORIES #17<\/strong>&nbsp;(12\/53-1\/54) \u2013 CGC 4.5; ID 4584317004<\/p>\n\n\n\n<p>121.&nbsp;<strong>\u201cPRESIDENTIAL PRESS CONFERENCE\u201d<\/strong>&nbsp;45 rpm record by The SICKniks (1961), stamped \u201cPromotion Copy\u201d, done in cooperation with Sick Magazine.<\/p>\n\n\n\n<p>122.&nbsp;<strong>\u201cREAD\u201d<\/strong>&nbsp;magazine 4\/1\/66, featuring an article on MAD<\/p>\n\n\n\n<p>123.&nbsp;<strong>1972 E.C. FAN-ADDICT CONVENTION PROGRESS REPORT<\/strong>&nbsp;\u2013 with mailing envelope and membership receipt<\/p>\n\n\n\n<p>124.&nbsp;<strong>\u201cTHIS IS THE ONLY ORIGINAL DUPLICATE EC FAN ADDICT KIT\u201d<\/strong>&nbsp;(1971) \u2013 in envelope with all components.<\/p>\n\n\n\n<p>125.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 6\/30 (Campbell, Hamilton 2\/3) &amp; 8\/30 (Doc Smith \u2013 \u201cSkylark Three 1\/3, Hamilton)<\/p>\n\n\n\n<p>126.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 3\/30 (Williamson 1\/2) &amp; 5\/30 (Hamilton 1\/3)<\/p>\n\n\n\n<p>127.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 1\/30 (Campbell) &amp; 2\/30<\/p>\n\n\n\n<p>128.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Spring 1938<\/p>\n\n\n\n<p>129.&nbsp;<strong>WONDER STORIES<\/strong>&nbsp;\u2013 8\/30<\/p>\n\n\n\n<p>130.&nbsp;<strong>SCIENCE WONDER STORIES<\/strong>&nbsp;\u2013 2\/30<\/p>\n\n\n\n<p>131.&nbsp;<strong>ROMANTIC WESTERN<\/strong>&nbsp;\u2013 3\/38<\/p>\n\n\n\n<p>132.&nbsp;<strong>POPULAR DETECTIVE<\/strong>&nbsp;\u2013 12\/45 (skeleton cover; McCulley)<\/p>\n\n\n\n<p>133.&nbsp;<strong>THRILLING DETECTIVE<\/strong>&nbsp;\u2013 7\/40 (bound woman cover; Bellem)<\/p>\n\n\n\n<p>134.&nbsp;<strong>DIME DETECTIVE MAGAZINE<\/strong>&nbsp;\u2013 2\/43<\/p>\n\n\n\n<p>135.&nbsp;<strong>SATIRE<\/strong>&nbsp;\u2013 1\/36 \u2013 nude bathing beauty cover. The second issue of this rare, short-lived humor magazine, a precursor to MAD and National Lampoon. This issue satirizes movie magazines.<\/p>\n\n\n\n<p>136.&nbsp;<strong>FILM FUN<\/strong>&nbsp;\u2013 2\/36 (Bolles cover)<\/p>\n\n\n\n<p>137.&nbsp;<strong>MICHAEL STORME, \u201cDAME IN MY BED\u201d<\/strong>&nbsp;(U.S. edition of an Archer Book, published by Kaywin Publishers, Inc., 1951)<\/p>\n\n\n\n<p>138.&nbsp;<strong>DETECTIVE BOOK<\/strong>&nbsp;\u2013 Summer 1943, great George Gross cover<\/p>\n\n\n\n<p>139.&nbsp;<strong>DETECTIVE NOVELS MAGAZINE<\/strong>&nbsp;\u2013 4\/40<\/p>\n\n\n\n<p>140.&nbsp;<strong>DETECTIVE FICTION WEEKLY<\/strong>&nbsp;\u2013 10\/2\/37 (skull cover, N. Davis)<\/p>\n\n\n\n<p>141.&nbsp;<strong>15 MYSTERY STORIES<\/strong>&nbsp;\u2013 4\/50 (skull cover)<\/p>\n\n\n\n<p>142.&nbsp;<strong>DETECTIVE YARNS<\/strong>&nbsp;\u2013 9\/38 (suggestive phallic cover; 1\u201d x 1.5\u201d piece off back cover)<\/p>\n\n\n\n<p>143.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 9\/29 &amp; 10\/29 (Kline 1\/3)<\/p>\n\n\n\n<p>144.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 4\/29 &amp; 7\/29<\/p>\n\n\n\n<p>145.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 1\/29 &amp; 2\/29<\/p>\n\n\n\n<p>146.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 11\/28 &amp; 12\/28 (Williamson)<\/p>\n\n\n\n<p>147.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Fall 1928<\/p>\n\n\n\n<p>148.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Spring 1929 (Hamilton)<\/p>\n\n\n\n<p>149.&nbsp;<strong>WONDER STORIES<\/strong>&nbsp;\u2013 5\/33 (C.A. Smith) &amp; 8\/33<\/p>\n\n\n\n<p>150.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 8\/41 (ERB \u2013 \u201cYellow Men of Mars\u201d)<\/p>\n\n\n\n<p>151.&nbsp;<strong>AMAZING STORIES QUARTERLY<\/strong>&nbsp;\u2013 Fall 1930 (Campbell)<\/p>\n\n\n\n<p>152.&nbsp;<strong>\u201cTHE PUBLIC ENEMY\u201d by Kubec Glasmon &amp; John Bright<\/strong>&nbsp;(Grosset &amp; Dunlap, 1931). Inside of DJ reinforced with brown paper, front flap glued to the inside front-end paper. A scarce book, particularly in jacket.<\/p>\n\n\n\n<p>153.&nbsp;<strong>POPULAR MECHANICS<\/strong>&nbsp;\u2013 5\/50 (\u201cRocket to the Moon\u201d movie feature);&nbsp;<strong>MECHANIX ILLUSTRATED<\/strong>&nbsp;\u2013 9\/45 (Bonestell cover; article on rockets to the moon); &amp;&nbsp;<strong>MECHANIX ILLUSTRATED<\/strong>&nbsp;\u2013 5\/54 (\u201cCreature from the Black Lagoon\u201d)<\/p>\n\n\n\n<p>154.&nbsp;<strong>GRISELDA McCLURE<\/strong>&nbsp;\u2013 interior illustration from \u201cHero Folk of Great Britain\u201d by Sara E. Wiltse (Ginn &amp; Co., 1911), illustrating the fairy tale, \u201cJack and the Beanstalk\u201d. The central illustration is on illustration board glued to another board, on which the decorative border appears. Unframed; board 12.25\u201d x 15.5\u201d; image 9.75\u201d x 12.5\u201d.<\/p>\n\n\n\n<p>155.&nbsp;<strong>EARL NOREM<\/strong>&nbsp;\u2013 cover to \u201cSick\u201d #111, August 1976 (Charlton). Unframed; board 17.75\u201d x 23\u201d; image 14.5\u201d x 18.5\u201d.&nbsp;<\/p>\n\n\n\n<p>156.&nbsp;<strong>FRANK FRAZETTA PORTFOLIO \u2013 \u201cAt the Earth\u2019s Core\u201d &amp; \u201cPellucidar\u201d<\/strong>&nbsp;(Opar Press, 1968). In original mailing envelope.<\/p>\n\n\n\n<p>157.&nbsp;<strong>\u201cGREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES\u201d<\/strong>&nbsp;\u2013 a photo book circulated to Academy Award members for their consideration.<\/p>\n\n\n\n<p>158.&nbsp;<strong>EDGAR RICE BURROUGHS \u2013 \u201cThe Girl from Farris\u2019s\u201d<\/strong>&nbsp;(House of Greystoke, 1965, first book edition) &amp;&nbsp;<strong>\u201cThe Efficiency Expert\u201d<\/strong>&nbsp;(House of Greystoke, 1965, first book edition) \u2013 both with Frazetta illustrations.<\/p>\n\n\n\n<p>159.&nbsp;<strong>\u201cCAVALCADE OF OLD TIME COMIC STRIPS\u201d Volume 1, compiled by Edward Kutlowski<\/strong>&nbsp;(Tower Press, 1967) \u2013 with original mailing envelope.<\/p>\n\n\n\n<p>160.&nbsp;<strong>ROBERT E. HOWARD, \u201cCONAN THE CONQUEROR\u201d<\/strong>&nbsp;(Gnome Press, 1950, first edition)<\/p>\n\n\n\n<p>161.&nbsp;<strong>ROBERT E. HOWARD &amp; L. SPRAGUE DE CAMP , \u201cTALES OF CONAN\u201d<\/strong>&nbsp;(Gnome Press, 1955, first edition)<\/p>\n\n\n\n<p>162.&nbsp;<strong>BJORN NYBERG &amp; L. SPRAGUE DE CAMP, \u201cTHE RETURN OF CONAN\u201d<\/strong>&nbsp;(Gnome Press, 1957, first edition)<\/p>\n\n\n\n<p>163.&nbsp;<strong>L. SPRAGUE DE CAMP, \u201cTHE CONAN READER\u201d<\/strong>&nbsp;(Mirage Press, 1968, first edition) \u2013 inscribed to Henry, signed by de Camp 4\/1\/86<\/p>\n\n\n\n<p>164.&nbsp;<strong>H.P. LOVECRAFT, two early paperbacks<\/strong>&nbsp;\u2013 \u201cThe Dunwich Horror\u201d (Bart House, 1945) &amp; \u201cThe Weird Shadow Over Innsmouth\u201d (Bart House, 1944)<\/p>\n\n\n\n<p>165.&nbsp;<strong>THE AONIAN<\/strong>&nbsp;\u2013 Winter 1943 &amp; Autumn 1944. An exceedingly scarce literary journal which was apparently published in an edition of 200 copies for family and friends of the publisher, Tim Thrift. The Winter 1943 issue contains \u201cThe Cats of Ulthar\u201d by HPL. The Autumn 1944 issue contains part 1 (of 2) of \u201cLooking Backward\u201d by HPL. Also included in this lot is a separate Supplement to the Winter 1943 issue.<\/p>\n\n\n\n<p>166.&nbsp;<strong>MARVEL TALES<\/strong>&nbsp;\u2013 Winter 1934 \u2013 early, rare fanzine<\/p>\n\n\n\n<p>167.&nbsp;<strong>MARVEL TALES<\/strong>&nbsp;12\/39 &amp;&nbsp;<strong>MARVEL SCIENCE FICTION<\/strong>&nbsp;5\/52<\/p>\n\n\n\n<p>168.&nbsp;<strong>JUNGLE STORIES<\/strong>&nbsp;\u2013 Summer 1949 &amp; Fall 1952<\/p>\n\n\n\n<p>169.&nbsp;<strong>PLANET STORIES<\/strong>&nbsp;\u2013 3\/53 (Fox) &amp; Summer 1954 (Anderson)<\/p>\n\n\n\n<p>170.&nbsp;<strong>PLANET STORIES<\/strong>&nbsp;\u20139\/51 (Anderson) &amp; 11\/53 (Bradbury)<\/p>\n\n\n\n<p>171.&nbsp;<strong>CAPTAIN FUTURE<\/strong>&nbsp;\u2013 Summer 1943 &amp; Spring 1944 (F. Brown)<\/p>\n\n\n\n<p>172.&nbsp;<strong>COSMIC STORIES<\/strong>&nbsp;\u2013 5\/41 (Bok cover) &amp; 7\/41<\/p>\n\n\n\n<p>173.&nbsp;<strong>STARTLING STORIES&nbsp;<\/strong>\u2013 5\/41 (Brackett) &amp; 5\/42<\/p>\n\n\n\n<p>174.&nbsp;<strong>THRILLING WONDER STORIES<\/strong>&nbsp;\u2013 Fall 1946 (Leinster, Kuttner, Cummings) &amp; 10\/47 (Kuttner, Heinlein, Wellman)<\/p>\n\n\n\n<p>175.&nbsp;<strong>SUPER SCIENCE STORIES<\/strong>&nbsp;\u2013 11\/40 (Long) &amp; 11\/41 (Bradbury, Kuttner, Cummings, Tanner \u2013 Tumithak story)<\/p>\n\n\n\n<p>176.&nbsp;<strong>TWO COMPLETE SCIENCE ADVENTURE BOOKS<\/strong>&nbsp;\u2013 #3 (Summer 1951) &amp; #7 (Winter 1952; Heinlein as McDonald)<\/p>\n\n\n\n<p>177.&nbsp;<strong>FANTASTIC ADVENTURES<\/strong>&nbsp;\u2013 12\/45 &amp; 5\/46<\/p>\n\n\n\n<p>178.&nbsp;<strong>FANTASTIC ADVENTURES<\/strong>&nbsp;\u2013 5\/43 (Bond, Bloch) &amp; 1\/49<\/p>\n\n\n\n<p>179.&nbsp;<strong>FANTASTIC ADVENTURES<\/strong>&nbsp;\u2013 6\/44 &amp; 4\/52 (front cover mostly detached)<\/p>\n\n\n\n<p>180.&nbsp;<strong>UNIDENTIED ARTIST \u2013 cover to \u201cThe Hooligan\u201d by Rudolph Nassauer<\/strong>&nbsp;(Consul Books, 1960). Framed and matted; frame 14.5\u201d x 18.25\u201d; image 9.5\u201d x 13.25\u201d.<\/p>\n\n\n\n<p>181.&nbsp;<strong>LYON, PETE \u2013 color painting, alien shore, circa mid-1980\u2019s. Presumably unpublished.<\/strong>&nbsp;Lyon is a UK artist who had many professional and fan credits through the 1980\u2019s before moving into the computer games industry. He was active in UK fandom and often exhibited at UK SF con art shows. Framed and matted; frame 20.5\u201d x 16\u201d; opening 14.5\u201d x 9.25\u201d.<\/p>\n\n\n\n<p>182.&nbsp;<strong>TWO PIECES OF ILLUSTRATION ART \u2013 (1) SPLASH STUDIO<\/strong>&nbsp;<strong>\u2013 cover to \u201cHardwired\u201d by Walter Jon Williams<\/strong>(Macdonald &amp; Co., 1988). Board 15\u201d x 20.5\u201d; image 12\u201d x 12\u201d. (2)&nbsp;<strong>HOLT, PETER \u2013 cover to \u201cSerious Crimes\u201d by D.W. Smith&nbsp;<\/strong>(Futura, 1988). Comes with a copy of the book. Board 15\u201d x 20.5\u201d; image 12\u201d x 12\u201d.<\/p>\n\n\n\n<p>183.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 1\/39 (Binder, Williamson) &amp; 4\/43 (Bond, Bloch)<\/p>\n\n\n\n<p>184.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 7\/39 (Binder, Farley) &amp; 12\/42 (Browne, Hamilton, St. John cover)<\/p>\n\n\n\n<p>185.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 6\/39 (Farley) &amp; 12\/40 Binder, Wellman, Cummings)<\/p>\n\n\n\n<p>186.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 9\/42 (Bond) &amp; 6\/47 (\u201cThe Shaver Mystery\u201d)<\/p>\n\n\n\n<p>187.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 12\/41 (Cummings) &amp; 4\/47<\/p>\n\n\n\n<p>188.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 11\/41 (Bellem) &amp; 5\/42 (Bond)<\/p>\n\n\n\n<p>189.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 2\/39 (Binder) &amp; 9\/40<\/p>\n\n\n\n<p>190.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 9\/41 &amp; 1\/44<\/p>\n\n\n\n<p>191.&nbsp;<strong>TRUE MYSTIC SCIENCE<\/strong>&nbsp;\u2013 11\/38 (v1n1) &amp; 12\/38 (Mundy)<\/p>\n\n\n\n<p>192.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 3\/31 (Kline) &amp; 1\/32 (Tanner \u2013 \u201cTumithak of the Corridors\u201d)<\/p>\n\n\n\n<p>193.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 8\/32 (Campbell) &amp; 10\/32 (Hamilton, Binder)<\/p>\n\n\n\n<p>194.&nbsp;<strong>AMAZING STORIES<\/strong>&nbsp;\u2013 2\/31 &amp; 5\/31<\/p>\n\n\n\n<p>195.&nbsp;<strong>UNUSUAL STORIES<\/strong>&nbsp;5\/6\/35 (v1n1; missing covers; rare fanzine) &amp;&nbsp;<strong>THE VORTEX<\/strong>&nbsp;#2 (1947; C.A. Smith poem)<\/p>\n\n\n\n        <script type=\"text\/javascript\">\n         function cp_contactformtoemail_pform_doValidate_2(form)\n         {\n            document.cp_contactformtoemail_pform_2.cp_ref_page.value = document.location;\n            $dexQuery = jQuery.noConflict();            {\n                var cpefb_error = 0;\n                $dexQuery(\"#cp_contactformtoemail_pform_2\").find(\".cpefb_error\").each(function(index){\n                    if ($dexQuery(this).css(\"display\")!=\"none\")\n                        cpefb_error++;\n                    });\n                if (cpefb_error) return false;\n                if (document.cp_contactformtoemail_pform_2.cp_contactformtoemail_pform_status.value != '0')\n                           return false;\n                document.getElementById(\"refpage_2\").value = document.location;\n                cfte_blink(\".pbSubmit\");\n                document.cp_contactformtoemail_pform_2.cp_contactformtoemail_pform_status.value = '2';document.cp_contactformtoemail_pform_2.cp_contactformtoemail_pform_status.value = '1';\n                       $dexQuery.ajax({\n                         type: \"POST\",\n                         url: '',\n                         data: $dexQuery(\"#cp_contactformtoemail_pform_2\").serialize(),\n                         success: function(data)\n                         {\n                             document.cp_contactformtoemail_pform_2.cp_contactformtoemail_pform_status.value = '0';\n                                                              $dexQuery(\"#cftedialog\").dialog({\n                                   buttons: {\n                                     Ok: function() {\n                                       $dexQuery( this ).dialog( \"close\" );\n                                       document.cp_contactformtoemail_pform_2.reset();\n                                     }\n                                   }\n                                 });\n                                 $dexQuery(\".ui-dialog-titlebar\").hide();\n                                                        }\n                       });\n                       return false;\n                                }\n         }\n         function cfte_blink(selector){\n                 try {\n                     $dexQuery = jQuery.noConflict();\n                     $dexQuery(selector).fadeOut(700, function(){\n                         $dexQuery(this).fadeIn(700, function(){\n                             try {\n                                 if (document.cp_contactformtoemail_pform_2.cp_contactformtoemail_pform_status.value != '0')\n                                     cfte_blink(this);\n                             } catch (e) {}\n                         });\n                     });\n                 } catch (e) {}\n         }\n         function cp_contactformtoemail_cerror_2(){$dexQuery = jQuery.noConflict();$dexQuery(\"#hdcaptcha_error_2\").css('top',$dexQuery(\"#hdcaptcha_cp_contactformtoemail_post_2\").outerHeight());$dexQuery(\"#hdcaptcha_error_2\").css(\"display\",\"inline\");}\n        <\/script>\n        <div id=\"cftedialog\" style=\"display:none;\">Thank you. We will endeavor to place your bids in a timely manner, because of time constraints, we&#039;re not responsible if a bid is not received, and we have the right to reject any bid.<\/div>\n        <form class=\"cpp_form no-prefetch\" name=\"cp_contactformtoemail_pform_2\" id=\"cp_contactformtoemail_pform_2\" action=\"\/home\/?ahbnocache=957950\" method=\"post\" enctype=\"multipart\/form-data\" onsubmit=\"return cp_contactformtoemail_pform_doValidate_2(this);\"><input type=\"hidden\" name=\"cp_pform_psequence\" value=\"_2\" \/><input type=\"hidden\" name=\"cp_contactformtoemail_pform_process\" value=\"1\" \/><input type=\"hidden\" name=\"cp_contactformtoemail_id\" value=\"4\" \/><input type=\"hidden\" name=\"cp_ref_page\" value=\"\" \/><input type=\"hidden\" name=\"form_structure_2\" id=\"form_structure_2\" size=\"180\" value=\"[[{&quot;name&quot;:&quot;email&quot;,&quot;index&quot;:0,&quot;title&quot;:&quot;Email&quot;,&quot;ftype&quot;:&quot;femail&quot;,&quot;userhelp&quot;:&quot;&quot;,&quot;csslayout&quot;:&quot;&quot;,&quot;required&quot;:true,&quot;predefined&quot;:&quot;&quot;,&quot;size&quot;:&quot;medium&quot;,&quot;shortlabel&quot;:&quot;&quot;,&quot;userhelpTooltip&quot;:&quot;&quot;,&quot;predefinedClick&quot;:false,&quot;equalTo&quot;:&quot;&quot;},{&quot;name&quot;:&quot;subject&quot;,&quot;index&quot;:1,&quot;title&quot;:&quot;Saturday Night - Lot # &quot;,&quot;required&quot;:true,&quot;ftype&quot;:&quot;ftext&quot;,&quot;userhelp&quot;:&quot;&quot;,&quot;csslayout&quot;:&quot;&quot;,&quot;predefined&quot;:&quot;&quot;,&quot;size&quot;:&quot;large&quot;,&quot;shortlabel&quot;:&quot;&quot;,&quot;userhelpTooltip&quot;:&quot;&quot;,&quot;predefinedClick&quot;:false,&quot;minlength&quot;:&quot;&quot;,&quot;maxlength&quot;:&quot;&quot;,&quot;equalTo&quot;:&quot;&quot;},{&quot;name&quot;:&quot;message&quot;,&quot;index&quot;:2,&quot;size&quot;:&quot;large&quot;,&quot;required&quot;:true,&quot;title&quot;:&quot;Your Name, Address and Your Bid Amount. Bids must be in whole dollar amount and in multiples of $10&quot;,&quot;ftype&quot;:&quot;ftextarea&quot;,&quot;userhelp&quot;:&quot;&quot;,&quot;csslayout&quot;:&quot;&quot;,&quot;predefined&quot;:&quot;&quot;,&quot;shortlabel&quot;:&quot;&quot;,&quot;userhelpTooltip&quot;:&quot;&quot;,&quot;predefinedClick&quot;:false,&quot;minlength&quot;:&quot;&quot;,&quot;maxlength&quot;:&quot;&quot;}],[{&quot;title&quot;:&quot;Silent Pre-Auction Bids - Saturday Night Auction&quot;,&quot;description&quot;:&quot;Please send a separate email for every item you would like to bid on. Be advised, the bids you place is your bid. There is no mechanism to bid up to a maximum bid. Any bid we accept is where we will start the lot. If no higher bid is placed above your bid, you will win the lot.&quot;,&quot;formlayout&quot;:&quot;top_aligned&quot;}]]\" \/><input type=\"hidden\" name=\"refpage_2\" id=\"refpage_2\" value=\"\"><input type=\"hidden\" name=\"cp_contactformtoemail_pform_status\" value=\"0\" \/><input name=\"anonce\" type=\"hidden\" value=\"6bbcba5772\"\/><input name=\"cftehp\" id=\"cftehp_2\" type=\"hidden\" value=\"1\"\/>\r\n<div id=\"fbuilder\">    \r\n    <div id=\"fbuilder_2\">\r\n        <div id=\"formheader_2\"><\/div>\r\n        <div id=\"fieldlist_2\"><\/div>\r\n    <\/div>\r\n<\/div>    \r\n<div style=\"display:none\">\r\n<input name=\"cftecontrolmessage\" type=\"text\" value=\"\"\/> \r\n<div id=\"cpcaptchalayer_2\" class=\"cpcaptchalayer\">\r\n<\/div>\r\n<\/div>\r\n<div id=\"cp_subbtn_2\" class=\"cp_subbtn\">Submit<\/div>\r\n<\/form>\r\n<script>\r\ntry{document.getElementById(\"cftehp_2\").value=\"25\";}catch(e){}\r\n<\/script>\r\n\n\n\n\n<p>If you cannot make it to the convention, you may place a silent bid prior to 6 pm the day of the auction.  Using one of the contact forms seen above, place your bid. The bid you place will be the silent bid registered. This means whatever bid you place will be the bid we take. <strong>THIS IS NOT A MAX BID<\/strong>, therefore if you place a bid for $1000 that will be the bid we accept. At the live auction, we will have silent bid forms on each lot. The silent bids either done in person, or through the contact form will be written down. So that silent bid price will be the starting point for that lot. If no one is willing to top the highest silent bid, the lot will close and the silent bidder will be declared the winner. Please be advised there will be a 10% buyers premium on every lot, so a winning bid of a $100 will have a $10 buyers premium added. If you plan on paying by PayPal, we will also add a 5% CC fee. Shipping is NOT included in any auction gavel price. Any silent bid must be in whole dollar amounts with a $10 minimum raise. <\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>The convention has not graded these items (although we have tried to note missing covers [nfc = no front cover &amp; nbc = no back cover]) and encourages all bidders to review their condition before placing bids, as ALL SALES ARE FINAL. There will be a buyer\u2019s premium of 10% added to the amount of &hellip; <a href=\"https:\/\/www.windycitypulpandpaper.com\/home\/?page_id=47\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Saturday Night Event Auction<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":37,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=\/wp\/v2\/pages\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47"}],"version-history":[{"count":130,"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":8216,"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=\/wp\/v2\/pages\/47\/revisions\/8216"}],"up":[{"embeddable":true,"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=\/wp\/v2\/pages\/37"}],"wp:attachment":[{"href":"https:\/\/www.windycitypulpandpaper.com\/home\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}