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Each and every year, Ed Hulse has done a marvelous job in securing wonderful 16mm prints of vintage motion pictures written or based on stories by pulp authors.  2008 will be no exception! 

 

2008 Windy City film program               * -- 16mm, all other films on DVD

 

 

FRIDAY

 

11:30 am:  The Bat Whispers (1930).  Based on the novel by Mary Roberts Rinehart (from the play by Rinehart and Avery Hopwood), originally serialized in Flynn’s Magazine during July and August of 1926.  This marvelously creepy old-dark-house chiller features a grotesque costumed villain that, reportedly, was one of Bob Kane’s inspirations for Batman. Chester Morris, later to gain fame as Boston Blackie, plays a no-nonsense detective sent to an abandoned country estate in search of the Bat, who covets a fortune in embezzled money secreted in the mansion by a crooked banker who turns up dead. This groundbreaking early talkie was shot in both conventional 35mm and 65mm widescreen versions.  We’re showing the rarely seen widescreen version.

 

01:00 pm: The Spider’s Web (1938).  Chapters One through Three.  The Master of Men leaped from the pages of his Popular Publications pulp magazine to the silver screen in this fast-paced 1938 serial, a non-stop orgy of gun-blazing action.  We’re running all 15 pulse-pounding episodes this weekend.  Wealthy criminologist Richard Wentworth (played by Warren Hull) disguises himself as both the Spider and underworld habitué Blinky McQuade while attempting to foil the Octopus, a ruthless criminal mastermind whose campaign of terrorization and destruction is aimed at bending the entire country to his will!  With the lovely Iris Meredith as Wentworth’s sweetheart, Nita Van Sloan. 

 

02:15 pm: Doc Savage: The Man of Bronze (1975).  Like the Spider, Doc Savage made his first appearance on the nation’s newsstands in 1933.  As part of our 75th-birthday tribute to this pulp-fiction superstar, we’re showing not one but two versions of the 1975 George Pal production starring former Tarzan Ron Ely as Lester Dent’s Man of Bronze. This afternoon we’re running the original theatrical version; tomorrow you can see an unauthorized revision reportedly edited by a Doc fan to remove scenes deemed objectionable or irritating.

 

04:00 pm: The Spider’s Web.  Chapters Four through Six.

 

05:00 pm: Savage Fury (1956).  Feature-length version of a 1935 serial, Call of the Savage, adapted from Otis Adelbert Kline’s “Jan of the Jungle,” originally serialized in Argosy during April and May of 1931. Noah Beery Jr. stars as Jan, the jungle boy who grows up wearing a wristband on which, unbeknownst to him, is inscribed a formula that will cure infantile paralysis. The formula is coveted by two unscrupulous scientists (Walter Miller and Frederic MacKaye), who plan to collect a half-million dollar grant offered for its development. They follow Jan and his companions, Mona (Dorothy Short) and Borno (Harry Woods) to the lost city of Mu, where perilous adventures await them!  Great fun, but not to be taken seriously.

 

09:00 pm: Phantom Lady* (1944). Based on the masterpiece of suspense written by “William Irish” (Cornell Woolrich) and serialized as “Phantom Alibi” in Flynn’s Detective Fiction during 1942, prior to publication in hardcover as Phantom Lady. Unhappily married Scott Henderson (Alan Curtis) goes out for a night on the town with an unnamed woman he meets in a bar. He returns home to find his wife slain, and the police arrest him for murder. Scott’s inability to produce or even name his anonymous pick-up renders his alibi useless, so he’s convicted and sentenced to death. It remains for his loyal secretary (Ella Raines) and best friend (Franchot Tone) to find the phantom lady before the sentence is carried out. This movie, brilliantly photographed by Woody Bredell, established many of the visual conventions of film noir, a sub-genre made to order for the doom-laden fever dreams committed to pulp paper by the haunted Woolrich. A not-to-be-missed classic, not available on DVD and unseen on TV for many years.

 

10:30 pm: Outlaws of the Prairie* (1938). Based on Harry F. Olmsted’s “Trigger Fingers,” a novelette published in the June 1934 issue of Dime Western. As a boy, Dart Collins witnesses his father’s murder at the hands of cruel rancher Bill Lupton. When the lad swears to get revenge, Lupton cuts off Dart’s trigger fingers. The boy grows up to become a Texas Ranger (played by Charles Starrett) and learns how to “fan” a six-gun, constantly practicing in anticipation of the day his trail crosses that of his father’s killer. This grim little “B” Western also features the Sons of the Pioneers and introduces several songs that became cowboy-music classics: “Song of the Bandit,” “Open Range Ahead,” “My Saddle Pal and I,” and the haunting “Blue Prairie.” Briefly made available to TV in the mid ‘50s, this entertaining little horse opera disappeared from view nearly a half-century ago.

 

 

SATURDAY

 

10:00 am: The Maltese Falcon (1931). The first film version of Dashiell Hammett’s genre-transcending whodunit, serialized in Black Mask during 1929 and 1930 prior to its publication in hardcover by Knopf.  Ricardo Cortez, a Latin-lover type, is slightly miscast but appropriately hard-boiled as private eye Sam Spade. Silent-screen star Bebe Daniels plays Brigid O’Shaughnessy, with character actor Dudley Digges as Casper Gutman and Dwight Frye as Wilmer. If you’ve only seen the Humphrey Bogart version of Falcon, you owe it to yourself to give this earlier adaptation. Although not as perfectly cast or executed as the highly regarded 1941 remake, it’s a darn good little movie in its own right.

 

11:30 am: The Spider’s Web. Chapters Seven through Nine.

 

12:30 pm: Doc Savage. This is the aforementioned “fan edit” of the film. It’s not all that much shorter than the theatrical version, but the cuts and alterations make a significant difference, as you’ll see.

 

02:15 pm: The Spider’s Web. Chapters Ten through Twelve.

 

03:15 pm: We’re in the Legion Now (1936). Based on J. D. Newsom’s “The Rest Cure,” published in the April 1934 issue of Adventure. Reginald Denny and Vince Barnett play small-time gangsters on the run. Winding up in Morocco, they join the French Foreign Legion in a misguided attempt to avoid danger. Silent-screen star Esther Ralston lends her patrician beauty to this odd little movie, a modestly budgeted comedy-adventure. To enhance the film’s marketability, producer George Hirliman had Legion shot and printed in “Hirlicolor,” his personal version of a limited-palette color process employed by some studios before Technicolor became the industry standard. Later 16mm prints, struck for rental libraries and TV stations, were printed in black & white. We’re running a DVD mastered from the sole surviving 35mm color print, which shows some wear and signs of deterioration.

 

04:15 pm: The Spider’s Web. Chapters Thirteen through Fifteen.

 

11:00 pm (time approximate, pending completion of the Auction): The Ringer* (1952). Based on Edgar Wallace’s novel (serialized in Detective Story Magazine during April and May of 1925, prior to hardcover publication) and the play he adapted from it. One of Wallace’s most enduring characters, the Ringer was a master of disguise who dispensed vigilante justice while always keeping one step ahead of Scotland Yard. This film, the third British-made adaptation, stars Herbert Lom as the crooked lawyer responsible for the suicide of the Ringer’s sister—and the vigilante’s next target! A Windy City exclusive: This film was shot with two different endings—one intended for the U. S. market and one for the U. K.  For the first time in this country, The Ringer will be seen with both endings!

 


 

Schedule: From 2007

16mm FILM FESTIVAL

* NEW ADVENTURES OF TARZAN - This is the feature-length version of the 1935 serial produced by ERB himself.


* HI-YO SILVER - This is the feature version of the long-lost 1938 LONE RANGER serial.

* PANIC ON THE AIR - 1936 adaptation of a 1935 BLACK MASK story by Ted Tinsley, "Five Spot."

DVD FILM FESTIVAL (Showing throughout the day.)

* CALL OF CTHULHU - an incredibly faithful adaptation of the Lovecraft story made a couple years ago in silent-movie style (but accompanied by a great musical score). Financed by the HPL Society and made with lots of TLC.

* FIEND WITHOUT A FACE - based on an Amelia Reynolds Long story ("The Thought Monster") from the 3/30 issue.

* WEIRD WOMAN - based on Fritz Leiber's "Conjure Wife" in UNKNOWN.

* PIGEONS FROM HELL - Robert E. Howard drama from THRILLER.

 




Here is what we watched at the Windy City Pulp and Paperback Convention 2006:

BUCK ROGERS IN THE 25TH CENTURY (1934).  This ultra-rare short subject
marks the first appearance of Buck Rogers on film.  Produced solely for
exhibition at the 1934 Chicago World's Fair, the ten-minute featurette
used the comic strip's "Tiger Men of Mars" continuity as a jumping-off
point.  Buck was played by John Dille, Jr., son of the man who
syndicated the strip.  The pulp connection, obviously, is Philip Francis
Nowlan's "Armageddon 2419 A.D." and its sequel, "The Airlords of Han,"
which were published in late '20s issues of AMAZING STORIES and presaged
the character's appearances in other media.  We can categorically state
that you've never seen anything quite like this insane little movie, and
we predict you'll remember it for a long time to come.  (10 minutes)

THE PHANTOM PRESIDENT (1932).  Another rarity!  Based on the George F. 
Worts novel of the same name, serialized in BLUE BOOK from late 1931
through early 1932, this endearingly bizarre film was a vehicle for
legendary Broadway actor/writer/producer George M. Cohan. His leading
lady was Claudette Colbert, at that time still climbing the ladder to
stardom.  Cohan plays a dual role, that of stodgy Presidential candidate
Theodore K. Blair and his much livelier double, Peter "Doc" 
Varney, who impersonates Blair and uses his own charisma to persuade the
public to vote for him!  Director Norman Taurog turns Worts' story into
a musical comedy that sports songs written by Cohan and the famous team
of Rodgers and Hart.  (80 minutes.)

SWIFTY (1935).  Based on the story "Tracks," from the March 17, 1928
issue of WEST.  Hoot Gibson, one of the "Big Five" Western stars of
silent and early-talkie cinema, plays wandering waddy Swifty Wade, who
comes upon a big rancher just moments before the man is shot down from
ambush. Accused of the murder, Swifty narrowly escapes being lynched and
goes on the run in an attempt to clear his name.  (60 minutes)


THE SHADOW STRIKES (1937).  The first feature-length film featuring
Walter B. Gibson's Master of Darkness, this Poverty Row indie casts
silent-screen star Rod La Rocque-in an ill-fated comeback bid-as Lamont
Cranston (misspelled "Granston" in the credits).  Based on "The Ghost of
the Manor," from the June 15, 1933 issue of THE SHADOW MAGAZINE, this
mystery revolves around the murder of millionaire Caleb Delthern, slain
moments after changing his will.  Before The Shadow finds the killer
several potential heirs will lose their lives.  (60 minutes)

THE SHADOW (1940).  We're running Chapter Two of this Columbia serial
starring a more aptly cast Victor Jory as a peripatetic Shadow.  
Fast-paced and campy, the chapterplay depicts The Shadow's efforts to
apprehend a mystery villain known as "the Black Tiger," who has the
power to make himself invisible.  Hokey as all get out, but lots of fun.
(20 minutes)

THE MISSING LADY (1946).  Last of three 1946 Monogram B-movies starring
Kane Richmond as The Shadow.  (We ran the first two at previous Windy
City cons.)  This time around Lamont Cranston disguises himself as a bum
and visits a Bowery flophouse in search of "the missing lady" - someone,
or something, that has the underworld in an uproar.  Like the other
films in this cheaply made series, MISSING LADY is at times slow moving
and insufficiently suspenseful, but it employs clever lighting 
effects to have the hero appear as a disembodied shadow.   (55 minutes)

Here is what we watched at the Windy City Pulp and Paperback Convention 2005:

THE BLACK DOLL (1938). From the novel of the same name, published in a 1936 issue of ACE-HIGH DETECTIVE and later as a Doubleday Crime Club hardcover. Starring Donald Woods, Nan Grey, C. Henry Gordon, and William Lundigan. Directed by Otis Garrett. An eerie whodunit that crams into 65 minutes virtually every cliche in the genre: creaky old house, stormy night, disappearing bodies, wisecracking detective, damsel in distress, and dopey cops. Great fun, with atmospheric cinematography by future Oscar winner Stanley Cortez and a genuinely offbeat denouement.


THE PRESCOTT KID (1934). From Claude Rister's novelette "Wolves of Catclaw," published in a 1933 issue of RANGELAND LOVE STORIES. Starring Tim McCoy, Shiela Mannors, Alden Chase, and Joseph Sauers (Sawyer). Directed by David Selman. A superior B-western starring Tim McCoy, one of the most popular cowboy stars of the '20s and '30s. He plays a drifter mistaken for a sheriff and targeted for murder. Stronger on plot than action, this relatively mature horse opera is more stylishly directed than most films of its type. Takes liberties with Claude Rister's original story but is quite meritorious in its own right.

 

MARK OF THE WHISTLER (1944). From Cornell Woolrich's novelette "Dormant Account," published in the May 1942 issue of BLACK MASK. Starring Richard Dix, Janis Carter, Porter Hall, and Paul Guilfoyle. Directed by William Castle. This Woolrich adaptation is one of the best entries in the "Whistler" series: tense, nightmarish, and very noirish. Dix plays a down-and-out drifter who impersonates the missing owner of a dormant bank account, only to find himself targeted by the maniac who has sworn vengeance on the money's true owner.

 

UNDER PRESSURE (1935). From Borden Chase's novel "East River," serialized in ARGOSY during 1934. Starring Edmund Lowe, Victor McLaglen, Florence Rice, and Charles Bickford. Directed by Raoul Walsh. Well-mounted adaptation of one of Chase's "sandhog" yarns about hard-boiled tunnel builders. McLaglen plays a rugged boss whose men are digging under New York City's East River to facilitate construction of a new subway line connecting Brooklyn and Manhattan. His enemies sabotage the already-dangerous project and try to foment dissension among the workers.

 

STORMY (1935). From Cherry Wilson's novel "Stormy Dorn," serialized in WESTERN STORY MAGAZINE during 1929. Starring Noah Beery Jr., Jean Rogers, J. Farrell MacDonald, and Fred Kohler. Directed by Louis Freidlander (Lew Landers). A romantic, picturesque western; not a stereotypical Saturday matinee shoot-'em-up. Beery plays a teenage stable boy who raises a thoroughbred's colt sired by a wild horse. He winds up on a large Arizona ranch owned by feuding brothers. Beautiful location photography and a stirring musical score help make this a very entertaining film, and it includes remarkable footage of a real-life roundup in which thousands of wild horses were driven across the Arizona desert.

 

MICHAEL SHAYNE, PRIVATE DETECTIVE (1940). From Brett Halliday's novel "The Private Practice of Michael Shayne," serialized in DETECTIVE FICTION WEEKLY during 1940 as "Death Rides a Winner." Starring Lloyd Nolan, Marjorie Weaver, Walter Abel, Joan Valerie. Directed by Eugene Forde. First and best of the Shayne films starring Lloyd Nolan--most of which were adapted from non-Shayne whodunits written by authors other than "Halliday" (Davis Dresser). This film was originally scheduled for last year's show but had to be canceled at the last minute. We promise you it's worth the wait!